CV

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  • 1989
  • Born in Baltimore, MD
  • Lives in Oakland, CA
  • Education
  • 2012
  • BFA in Photography
  • Maryland Institute College of Art, Baltimore, MD
  • Filmography
  • 2012
  • Welcome to the Copycat, Short film, 14:56 min., Co-Director & Co-Producer
  • Solo Art Exhibitions
  • 2014
  • In The Garden, Firehouse 8, San Francisco, CA
  • 2010
  • Dreamscapes, Pinkard Gallery, Baltimore, MD
  • 2009
  • Concrete Fiends, Skatology, Bel Air, MD
  • Group Art Exhibitions
  • 2014
  • Oh Ophelia, Turks And Caicos, Montreal, CAN
  • 2013
  • Stupefy, Apothecaire, Bristol, UK
  • Go Gettas, Life Cycles, Toronto, CAN
  • 2012
  • Lux, Maryland Art Place, Baltimore, MD
  • 2011
  • It’s Alive!, Baltimore Museum of Art, Baltimore, MD
  • Works on Paper, Abercrombie Gallery, Lake Charles, LA
  • Self Portrait As Rock Star, Current Gallery, Baltimore, MD
  • 2010
  • Class Pictures, Michael Mazzeo Gallery, New York, NY
  • Evening Of Inaccessibility, Contemporary Art Institute of Detroit, Detroit, MI
  • Holy Ghost, Corsica Sudios, London, UK
  • Daydream Nation, Philadelphia Photo Arts Center, Philadelphia, PA
  • Rapid Eye Movement, Annex Gallery, Baltimore, MD
  • One Hour Photo, American University Museum Katzen Arts Center, Washington, DC
  • Adventure And Exploration, Wilgus Gallery, Baltimore, MD
  • 2009
  • Small Meanings, Entopic Group
  • Reflected, Entopic Group
  • Bibliography
  • 2014
  • Teicher, Jordan, “The Baltimore Bottle Cap Factory That Became a Haven for Musicians and Artists”, Slate Magazine, www.slate.com, August 21
    Hawking, Tom, “Fascinating (and Potenially Despair-Inducing) Photos of Baltimore Artists’ Workspaces”, Flavor Wire, www.flavorwire.com July 22
    Comstock, Lindsay, “Portraits Offer A Glimpse Into The Living Spaces Of Baltimore Artists”, Feature Shoot, www.featureshoot.com, July 22.
    Wender, Jessie, “Seeing Themselves: Photographs’ Self-Portraits”, The New Yorker, Photo Booth, www.newyorker.com/online/blogs/photobooth, February 20.
  • 2013
  • Zap, Claudine, “Photographer Takes Cross-Country Road Trip Headfirst”, Yahoo News, www.yahoo.com, August 16.
  • Buchdahl, Ellie, “Here’s How To Put Your Feet Up”, Daily Mail UK, www.dailymail.co.uk, August 14.
  • 2012
  • Wellnitz, Andreas, “Jugend fotografiert Jugend”, Bulletin (Berlin), N°5 2012, p.10
  • Baksh, Stokely, “Building on the Copycat Project: Next step a Publisher”, Video Interview, The Baltimore Sun. The Darkroom. www.darkroom.baltimoresun.com, June 18.
  • Weigel, Brandon, “The Culture Club”, Urbanite, May, pp. 51-53
  • Brynes, Mark, “The Irreplaceability of Baltimore’s Copycat Building”, The Atlantic, www.theatlanticcities.com, April 23. (with illustration)
  • Asante, John, “Peek Inside the Copycat Building: Where Baltimore Artists Work and Live”, NPR, The Picture Show, www.npr.org, March 22.
  • London, David, “The Copycat Project”, What Weekly, www.whatweekly.com, February 29.
  • 2011
  • OjodePez #24, “When We Were Young”, pp. 68-69
  • 2010
  • PDN, September, p. 51
  • PDN Photo Annual 2010, p. 151
  • 2009
  • “Portfolio: Alex Wein”, Gutter Magazine Summer Issue
  • 2008
  • Mazur, Mike, “Behind The Lens, Alex Wein”, Focus Magazine, July p. 24
  • Books
  • 2012
  • The Copycat, Self-Published
  • BOTY 100, Blood Of The Young, Toronto
  • No Trials, Blood Of The Young, Toronto
  • 2011
  • We Are Lucky Volume 1, Brighton
  • Self Publish Be Naughty, London
  • Anno Books Design Annual, Melbourne
  • Traum Noir Issue 2, Helsinki
  • 2010
  • Holy Ghost Volume 1, London
  • Carpaccio Guide to Emerging Illustrators, Photographers & Artists Volume 3, Atem Books
  • Achievements
  • 2012
  • Station North Arts & Entertainment Grant
  • National Endowment of the Arts Grant
  • Baker Grant
  • Collections
  • Maryland Historical Society, Baltimore, MD
  • Booklet Library, Shubaura House, Minato, Tokyo, JAP
  • Self Publish Be Happy, London, UK